Venezuela → Argentina · 2009 → today
Before producing artists, I was an artist.
I learned music from the inside: writing, recording, forming groups and building spaces with whatever we had. The Lycans wasn’t my first attempt; it’s the evolution of that whole journey.
The journey
2009
Venezuela
Fusión Activa
First songs in front of the mic with Ichigo and Erreache, as Momo El Obelisco. Music out of necessity, without perfect infrastructure.
2010
Urban scene
A.A Family Crew
Graffiti, events, first shows and an organized community. Fusión Activa organized Unión de Raperos / Hip Hop Real.
2011
First album
The Power of Music
Fourteen songs, live shows, interviews and two visits to Radio Jardín. That year I started working from my home studio, El Imperio Records.
2014–2016
Venezuela → Buenos Aires
From El Imperio to The Lycans
I left behind Venezuela and the home studio where El Imperio was born. In Buenos Aires I started over: in 2016 I completed my training in Music and Record Production, and the project became The Lycans. What used to be my space to create became a place to build with other artists: production, creative direction and artist development.
2019
Milestone
Publishing deal with Universal Music Group
Producer, recording and mixing engineer on three songs recorded in my home studio, tied to a 100% publishing deal with Universal.
2020–2021
My own label
Venar Records
I was the founding partner, manager, legal representative, marketing and release specialist and sound engineer. I supported releases by Jhey Sosa, Super Caña, Es el Josema and more.
2021–today
Today
Back to The Lycans
I returned to my home studio, The Lycans, with a broader vision: the artistic, the technical and the business side in one ecosystem of production and development.
That whole journey is now a method.
An artist’s perspective
I know what it means to defend your own identity.
Technical judgment
Production, recording, mixing and direction with intention.
Management experience
Teams, processes and projects built from scratch.
Full-picture development
I shape the vision behind the song, not just the song.